pop

22. studioalbum

pop

pop

deluxe cd edition in hardbook design + 3 bonus tracks

the 6th longplayer from fritz kalkbrenner

the new album from cypress hill

extended the 80s hits. essential 12inch and extended mixes of 80s hits

3 cd compilation. essetial 12inch and extended mixes of 80s groove classics! incl. grandmaster fash, midnight star, raze, fatback band, the whispers and more

das deb_talbum des Österreichischen trios gudrun von laxenburg vermag es gekonnt die brachiale, kantige elektro-energie ihrer schwei?treibenden liveauftritte auf den tontr›ger zu transportieren und dabei doch zug›nglich zu bleiben. genug popappeal um neben justice, daft punk & co im radio zu laufen.

3 cds with the finest and rarest master! incl. the jacksons, harvey mason, marvin gaye, michael wycoff, gladys knight and the pipes, george duke, the isley brothers. includes unreleased edited versions by dj reverend p and a rare mix by tom moulton

just a classic!

best of compilation remastered for 2006!

aus dem album >so dark in the con of man<

aus dem album chaostheorie

incl. bonus video >so what<

incl mike servitos remix

repress! the acid series celebrates over 10 years of no way back, with music that directly references that experience. this is the third volume in the series, to be followed by bmg & derek plaslaiko, and there will be four more after this pair, with records by tin man & ectomorph, dona, romans, and pervocet (patrick russell & jasen loveland) yet to come. they all arrive in a unique sleeve especially created for this series, inspired by the decorations of nwb.

repress! justin cudmore is the latest in the line of midwesterners to emerge from the brooklyn music scene, hailing originally from illinois. and you can hear it in his music, that mesmerizing midwestern groove and deep heady thoughtfulness. he debuted on honey soundsystem records, has released on the bunkerny and is member of hot mix, a dj trio that also includes mike servito and gunnar haslam. . to celebrate 10 years of no way back (a regular party in detroit...and beyond), the label is launching the acid series, a series of records on interdimensional transmissions inspired by the no way back parties. the acid series includes submissions from tin man & ectomorph, jasen loveland, justin cudmore, bmg & derek plaslaiko, jordan zawideh, dona, and romans. they all arrive in a unique sleeve especially created for this series, inspired by the decorations of nwb. the first 2 volumes of the acid series will be available in the merch booth during all 313: return to the source events, including no way back.

808 action ! hell yahhh

2nd entry in the detroit love series comes from the man himself - carl craig. cut at 45rpm, pressed on double vinyl, housed in a gatefold sleeve.

much needed re-issue of this psychedelic detroit rooted 4th release on the (312) label which only surfaced as a 50 unit run back in the spring of 2018. magda + t.b. arthur + ectomorph s bmg are blotter trax 2.0.

the prodigys seventh studio album, no tourists will be released on their take me to the hospital label via bmg. in a career approaching 30 unpredictable, uncompromising years, the prodigy have become that rare artist whose influence can be felt across all walks of life. continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever. though much has changed in the musical and social landscape, what remains a constant is the prodigy s resolute focus on following their own path, their own way. this, perhaps, is the true meaning of no tourists , and in 2018 the anger, urgency, and irrepressible spirit of the prodigy has no doubt never been more needed

damian lazarus & the ancient moons have released their new track ‘feedback loop’. this is the latest single to be taken from their forthcoming new album heart of sky, out on july 20th through crosstown rebels/bmg. showcasing the warm textures of jesse appiah’s soulful vocals and the ancient moons’ top notch production, ‘feedback loop’ already sounds like a classic and is undoubtably one of the album’s key moments. the song is about a.i., a conversation between man and machine, and rolls out of the speakers like a 21st century update of bristol’s wild bunch sound system. remixes for the dancefloor from bedouin and serge devant, plus dubs from the legendary mad professor, follow on all formats next month.

anlässlich des 50-jährigen jubiläums von trojan records veröffentlicht bmg diese in bester pressqualität gefertigte picture-vinyl, die auf der a-seite den ikonischen trojan-helm und auf der b-seite das markant gestaltete »trojan 50«-logo zeigt. das album enthält ein dutzend der größten charthits des labels aus den 60er bis 80er jahren, dargeboten von den größten stars der jamaikanischen musik und gibt eine perfekte einführung in das legendäre reggae-label.

futre house classic auf 3x12inch .. danke edward ...
* set u free- embodying a vocal sample from the master recording -set you free- by planet soul , courtesy of bmg rights managament (uk) ltd

kdas hate me (featuring playwright and poet patrick cash) is the freshest sounding british house music record for years. first given to a select handful of djs, including jackmaster, seth troxler, jamie jones, tiga and pete tong (essential new tune on radio 1), hate me has dominated their sets since ims. originally slated as the first single on kdas new label the 35 records, hate me has been picked up by bmg and will be available as a collaborative label release from 8 december (impact mid-feb).

great return of the classic and pioneer band of the french funk scene! after a long absence, malka family reformed, burned some scenes and composed a new album without changing anything to its magic formula. recomposed with almost all original musicians, they come back today with a new album, le retour du kif. at the heart of a still popular and multicultural marais area in paris, young musicians gather to jam. this is where malka family is formed. their first self-produced album, malka on the beach, was released in 1991, and gigs were immediately chaining up all over france and europe, famous for their eccentric costumed performance and after-parties. in 1992, warner france signs them for a second album tous des oufs, a real p-funk space opera with guests such as sidney, dee nasty, marco prince (fff), or juan rozoff. they will then traveled france, switzerland, italy, holland, denmark, namibia, japan ... and in 1994, the band becomes independent again and records an ep for big cheese records, titled fricassee de funk. after a final tour for the third album, fotoukonkass (bmg) recorded with renaud létang the band finally broke up. at a time when daft punk is using funk artists to support their performance, when bruno mars & mark ronsons uptown funk continues to make the crowds dance, it s time for the original funkateers families to come back and teach a lesson to new generations. after the band reformed and started touring again since 2015, they quickly decided to record a new album and to leave on the roads again

limited edition gold vinyl. following on from lost basement tapes and the raw psychedelic energy of their first ep, which tickled the fancy of planet earth s toughest music critics, blotter trax return to the present tense in 2018 with a 2.0 vision. the duo of magda and t.b. arthur have enlisted detroit top dog bmg - founder of ectomorph, interdimensional transmissions, and the no way back parties.

a fully legit 2018 repress of a jazz-funk & boogie classic! nard is bernard wright s bonafide funk masterclass, boasting some truly amazing and heavily sampled cuts including - spinning (used by skee-lo on i wish ) haboglabotribin (used by snoop dogg on g s & hustlers ) as well as some heavy-duty boogie workouts like just chilling out , the master rocker and many more. a truly solid record and one that features boundless flashes of genius writing and playing from bernard and his killer outfit including luminaries such as dave grusin, marcus miller, weldon irvine, patti austin, luther vandross and many more! this one s a keeper and will have you locked in from start to finish, a total groove-fest. originally released on the mighty arista sub-label grp label in 1981 nard has it all, the beats, the wigged out oberheim solos and most importantly - the funk! remastered and repressed with the full involvement of arista / sony bmg by above board distribution for all you boogie freaks. a truly essential album!

better lost than stupid have announced their debut single, alto, for new label, skint/bmg. alto, is the first new material from their as yet untitled debut album, which is set for release in 2018.

jasen lovelands prescriptions are strong and may not be suitable for all patients inquiring. these formulations were created in assistance from bmg, silent servant, and a new and improved mix by patrick russell, phd. a full dose of all four medications should not be administered without the help of a certified professional. for more information please feel free to call the acid camp hotline at 1-800-ami-high.

funkadelic have created an enduring legacy, and the power of their impact is visceral in detroit. their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with parliament, funkadelic, parlet, bootsy’s rubber band and the brides of funkenstein all releasing albums the same year for two years in a row. the music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else’s notions of who they could be, having a massive impact on the next generation of detroit music, detroit techno. but more than just techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today s generation of detroit musicians and producers to show the wide range of music that was funkadelic and how these ideas are still contemporary, they endure and inspire.

nyc’s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it’s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
the west end story vol. 4 is an essential overview of this most iconic of labels and some of it’s more under the radar output, following on it’s from it’s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from sparque, debbie trusty, barbara mason, ednah holt and more make up 4 joyous sides of essential forward looking post disco classics - we’re talking late 70’s, early 80’s, synths, mega overdubs, left-field arrangements and anything and everything in-between.
a truly golden era of dance music history, names like tom moulton, tom savarese and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12” versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

on ep5, legendary german musician burnt friedman makes his dekmantel records debut with ‘monsun’. the berlin based artist, who built a reputation for himself through his explorations into obscure, finely-tuned, experimental dub through his label nonplace, alongside his collaborative relationship with the late can drummer jaki liebezeit, is one of the crucial, sonic manipulators of our time. ‘monsun’ finds friedman crafting flowing, percussive, dub techno that is both esoteric, and progressive. befitting of a dekmantel release. alongside friedman sits legendary detroit act ectomorph, aka. bmg & erika, also making their dekmantel inauguration, with a record that surmises’ the group’s anologue, style of motor city beats

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 4 is an essential overview of this most iconic of labels and some of it s more under the radar output, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from taana gardner, sparque, forrrce, inez brooks and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like tom moulton, francois k, tee scott and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

mondo is proud to celebrate the 30th anniversary of the castlevania franchise with the premiere vinyl release of the original soundtrack to the 1989 famicom / nintendo entertainment system sequel: dracula’s curse. featuring both the nes and famicom versions of all 28 bmg tracks from the game spread across two 12” 180 gram lps.

this is the lost album from alpha 606 entitled afro-cuban electronics, hot on the heels of the alpha 606 rmxd ep, which featured outstanding remixes from anthony shake shakir, bmg, and erika. the vinyl edition includes the vinyl exclusive shake (live at samhain, detroit).

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

alpha 606 on it with a visionary remix from anthony “shake” shakir. a secret dance floor anthem that works in almost any context from bmg and a beautiful spaced out take on “electronic flotation device” by erika. this was the last record mastered by mark richardson at prairie cat mastering. all tunes from the lost alpha 606 lp “afto-cuban electronics”. miami post bass from a cuban perspective. what is it to be an exile of the country you love? the largely cuban city hialeah, part of the sprawling miami metropolis, is home to not only alpha 606’s exiled family, but also to miami bass.